Grease as presented by UCC MS

SMURFIT THEATRE AT DANCE FIRKIN CRANE, SHANDON, CORK. 

April 11th, 12th, 13th 2024

Adjudication Performance 12th April 2024

PUBLIC ADJUDICATION.

The University College Cork Theatre Society presented for their 2024 production a super performance of 'Grease. The auditorium itself is a surprise, matching the location of the theatre. Despite its unassuming exterior, the auditorium is a well-designed space that provides excellent views of the stage from every seat. The seating arrangements are comfortable, and the acoustics are top-notch, making for an immersive theatre experience that will captivate and entertain you.

The Producer / Director, Mr Daniel Cremin and Ms Rosie O’Byrne, were the driving forces behind the production. Their vision for the show was evident in every meticulous detail, shaping the overall performance. From the carefully crafted set design to the expert staging of the musical numbers, every aspect of the show was a testament to their joint creative vision. Their meticulous attention to detail ensured that the cast remained faithful to the spirit of the original script while giving the show a fresh and modern feel. Their contributions were invaluable, and the result was a captivating and entertaining performance that I loved and enjoyed from start to finish. Work with both principals and chorus paid dividends with excellent characterisation and acting. 

The musical director was Lucia Schmetterer, while Shannon Hegarty was the conductor of the performances. Both of these lady's contributions to the show were invaluable. The expertly led orchestra provided the perfect accompaniment to the cast's performances, with flawless timing, pitch, and expression. The musical numbers were executed precisely and skilfully, showcasing Ms Schmetterer’s extensive expertise and attention to detail. The result was an unforgettable musical experience that left the audience humming the show's catchy tunes long after the performance had ended.

The Choreographer was Chloe Leahy. Ms. Leahy's talent and dedication were not just evident in every aspect of the show, they were also instrumental in enhancing the dance numbers, including "Greased Lightning'," "Born to Hand Jive," "We Go Together," "Beauty School Dropout," and "You're the One That I Want.” The dance numbers were a highlight of the performance, expertly choreographed and executed with energy and precision. Each dance number was performed to its fullest potential, resulting in a breath-taking display of movement and expression. 

The Stage Manager was Máirtín O Cathasaigh. The set design was exceptional, with intricately detailed and visually stunning displays that created an immersive environment that transported the audience back in time to the 1950s era. The set pieces were carefully crafted to be realistic and identifiable, bringing to life the various locations depicted throughout the musical, such as the high school, the diner, and the drive-in movie theatre.

The lighting design was equally impressive, with perfectly timed and strategically placed lighting cues that helped to highlight the actors' performances and create a dynamic atmosphere that matched the tone of the musical. The lighting could have been better adjusted to spotlight some of the main characters on stage in one or two scenes. 

However, this was just a tiny note. The lighting was well used to create different moods and emotions throughout the show, ranging from the energetic and upbeat dance numbers to the more poignant and emotional scenes.

There were some minor issues with the sound at times. For instance, there were moments when some actors' voices were too low or drowned out by the music, making it difficult to hear their lines clearly. These issues, while minor, did affect the overall quality of the performances, and it is recommended to address them for future shows. 

One of the most impressive aspects of the show was the exceptional attention to detail that went into the costumes, makeup, and hair. Each actor was impeccably dressed in outfits that were authentic to the 1950s, and the makeup and hair were perfectly styled. The result was a stunning visual display that transported the audience back in time and enhanced the show's overall experience. Well done to the hair and makeup team for their exceptional work!

In addition to the costumes, makeup, and hair, the props used in the production were perfect. From the vintage cars to the diner chairs and tables, every prop was carefully selected and added to the personal touch of the performance. 

Ross Ahern played the part of Danny Zuko. Mr Ahern was a standout character, perfectly capturing the essence of the charming and confident leading man. The chemistry between Danny and Sandy Dumbrowski, played by Aoife Kelly, was perfect. Mr Ahern brought a confident and charismatic energy to the role of Danny Zuko. Very calm, confident, and yet a little vulnerable, his portrayal of Danny's vulnerability in his relationships with Sandy and his friends was particularly noteworthy. 

Mr Aherns's acting was natural and convincing, and he had excellent chemistry with the rest of the cast, was a standout moment. Mr. Ahern's outfits were perfect, and his slicked-back hair completed the iconic look. 

Aoife Kelly played the part of Sandy Dumbrowski.  Aoife Kelly's was a charming Sandy in this production. Her vocal range, control, and emotional delivery were lovely, particularly in her rendition of 'Hopelessly Devoted to You,' which left me touched and moved. Ms Kelly brought a lovely sweetness, innocence, and naivety to this role, yet she had strength and determination. Ms Kelly's chemistry with her co-star, Danny, was excellent, and their duets and scenes were a joy to watch. I liked how she brought a fresh and modern perspective to the role. 

Johnjoe Brockie played the part of Kenickie. Now this was one cool dude in this role swaggering around the stage and the ‘chicks’ with ease and charm. This young man was a force to be reckoned with, bringing a raw energy and intensity to the character that left the audience cheering. What a great part! And so coolly played it was a highlight. 

Sarah Rose's performance as Betty Rizzo was equally impressive. Ms Rose portrayed Rizzo's tough and sassy exterior while also showing her vulnerable and emotional side, making her one of the most memorable characters of the show. Her song ”There are worse things I could do” was sung beautifully and full of emotion. Well Done

Roger, played by Fergal Crowley; Jan, played by Sofia Tinne, Marty played by Caoimhe Keane; Sonny, played by Conor Walsh; Doody, played by Cian Sprague; Frenchie, played by Lauran and Eugene Florczyk, played by Seán Casey; all delivered exceptional performances, each bringing their unique style and flair to their roles. There was such a buzz throughout this show because of this high energy, highly talented, and fun to be around a team of friends. 

I loved every one of you. The costumes were fabulous, but it was your friendship, your natural movement on and around the stage so beautifully, and the chemistry and chemistry and camaraderie between you all made them a joy to watch on stage, with their musical numbers and dance routines leaving the audience cheering and applauding. Every single time. You were each one of you simply awesome, and I applaud you individually and collectively as a tour de force of a front line that was merely excellent from beginning to end. 

Siobhan Rae played Patty Simcox; Saoirse Lehane played Miss Lynch; Robert played Vince Fontaine; Amy Wallace played Cha-Cha Digregorio; Lucrecia Luna played Teen Angel, and Dara Keane played the part of Johnny Casino! Bravo! What a stage presence this young man possessed. These were all such equally impressive, gorgeous, and funny characters, Vince Fontaine chatting up the women and adoring himself, Cha-Cha the fabulous dancer, magnificent dance routine, and a secret love for Danny, who danced beautifully together to the unfortunate Miss Lynch who’s patience was tested SO many times I felt sorry for her. The annoying goodie two shoes Patty Simcox played a starring role in Sugar Sweetness and Perfection. Despite the fact that she annoyed everyone, she was adorable and vulnerable, and I liked her performance in this role with a fabulous customer. Each of these actors adds a unique touch to their roles. The attention to detail in their performances, from the styling of their hair and makeup to their mannerisms and delivery of lines, was impressive and added depth to their characters.

The Chorus Mistress was Emmeline Turley. This chorus consistently delivered lively and energetic performances that truly brought the show to life. From the opening number of "Grease is the Word" to the iconic "We Go Together" finale, the chorus delivered each song with skill and enthusiasm, leaving the audience tapping their toes and singing along and clapping ( very loudly!) One of the standout moments was the performance of "Summer Nights," where the chorus played a significant role in setting the scene for the romantic duet between Danny and Sandy. Their harmonies were perfectly synchronized, creating a beautiful and memorable musical moment. This chorus also shone in the high-energy dance numbers, such as "Born to Hand Jive" and "Greased Lightnin”. Overall, the chorus provided exceptional performances every single time, and I loved the sound you created and the power, tone, and musicality you brought to the audience. It was simply gorgeous. Consistently. 

The Front of House team here is blessed to have this building as their home, and I was fortunate to meet you all, especially the excellent Front of House team who could not have been nicer to me. I loved being with you for the evening. It was a treat. 

I wish you all the best in the future, and I was blessed to meet you all in this lovely area of Cork City, Shandon. Thank you so very much, and congratulations on a gorgeous show. 

Caroline Daly Jones

Adjudicator Sullivan 2023 / 2024

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