Happy Days as presented by Enniscorthy Musical Society

ENNISCORTHY MUSICAL SOCIETY “HAPPY DAYS” A NEW MUSICAL

Colaiste Bride, Enniscorthy Co Wexford

2nd to 6th April 2024

Adjudication Performance 5th April 2024

It was a joy to arrive in Colaiste Bride Enniscorthy for their production and Irish Premiere of  “ Happy Days: A New Musical.” The welcome I received was so charming, warm, and genuine that it took my breath away. From the moment I arrived at the production, I was met with a warm welcome and a level of care that truly made me feel valued as a member of the audience. Thank you to Tina Doyle, as chairperson, an exceptional leader at the helm. Overall, the front-of-house team was a shining example of what it means to provide exceptional service and care, and their efforts were truly appreciated. Thank you for the opportunity to experience such an excellent production and to interact with such a phenomenal team. 

The Director was Ms Imelda McDonagh. Ms. McDonagh's production was a genuinely uplifting and engaging experience from beginning to end. I immediately loved this show, and Ms McDonagh's direction hugely contributed to this success. For instance, her lighting and sound in the opening scene created a captivating atmosphere. Her direction was characterized by stunning attention to detail and an exceptional ability to elicit the best performances from this superb cast. The energy and enthusiasm of the performers were palpable, and Ms. McDonagh's direction allowed each of them to shine in their respective roles. One of the things that truly stood out to me was Ms McDonagh's use of the stage. Bringing the cast to the outside circle on the stage in front of the Orchestra created excellent space and allowed the cast to move even more freely wrapped around the Orchestra and Musical Director. I can still see it in my mind. I loved it. Ms. Imelda McDonagh's direction of this Irish Premiere of "Happy Days," A New Musical, was a triumph. 

Mr. Kevin Kennedy was the Musical Director. This gorgeous musical direction was not just a good sound and a technical feat but a source of inspiration and emotion for us, the audience. Mr Kennedy's handling of the music and his orchestra was stunning, and the sound was a feast for the ears. His talented orchestra created such a beautiful, warm sound from beginning to end. It enhanced beautifully the many musical numbers in this production with numbers such as “Snap,” a lively and upbeat number that perfectly captured the energy of the scene, and “Malachi’s”. This heartfelt ballad brought tears to my eyes. “Message in the Music,” a powerful ensemble piece that underscored the show's themes, “Run,” a fast-paced and exciting number that had the audience on the edge of their seats, and the glorious “Hot Love,” a show-stopping finale that left the audience cheering. Once again Mr Kennedy, you shone. 

I was thoroughly impressed by the astute and igniting energy of the choreography. Mr James Dobbs, the Choreographer, and the cast did an outstanding job of bringing the musical numbers to life. Their work was visually splendid and absolutely a highlight of the show. For instance, the choreography in the bigger dance numbers was a perfect blend of energy and precision, showcasing the cast's talent and the choreographer's creativity. 

From the first number, Mr Dobbs' choreography set the tone for the rest of the production. “Legend In Leather”, a high-energy number that perfectly captured the rebellious spirit of the show, “Dancing on the Moon”, a whimsical and joyful number that had the audience tapping their feet, and “Run”, a fast-paced and exciting number that had the audience on the edge of their seats, were only a couple of numbers in many where the choreography burst on to the stage. The dancers moved with precision and grace, perfectly aligning with the music. Mr Dobbs' use of space was also noteworthy; he used the entire stage to create visually stunning dance numbers that were entertaining and engaging. 

The Stage Manager for this production was Naoise O’Connor. The sets were clever and effective and perfectly complemented the cast's performances. The attention to detail was remarkable, and every prop and set piece was strategically placed to create a cohesive and visually appealing design. The American Diner of the 50s 60s was the main set and it genuinely looked the part. Together with seating booths and appropriate props adorning the diner it truly was fabulous. The set changes were seamless and executed with precision and efficiency, ensuring the audience was never taken out of the moment. Other scenes were played on the aprons , like the workshop or meeting points and these were also cleverly done. 

The lighting was also a standout feature of the production. The lighting design was carefully crafted to enhance the mood and emotion of each scene, and it was incredibly influential in doing so. The use of colour and intensity was very good, and the lighting transitions were smooth and seamless and never detracted from the overall experience. The lighting was a critical factor in creating the immersive and emotionally engaging experience that the show provided, especially downstage left and downstage right in the more miniature scenes, with some gorgeous moments throughout that were so well executed. 

The was simply outstanding. The sound effects were perfectly timed and executed, bringing fantastic realism to the production. The music was flawlessly integrated into the show, perfectly complementing the cast's performances. The sound quality was crystal clear, never overpowering the performances or the dialogue. 

Overall, the production team did an excellent job creating a visually stunning and wonderful experience for the audience without going over the top. The attention to detail and seamless execution of the technical presentation of the production massively contributed to the production's overall success. 

The costumes were simple yet effective and helped bring the characters to life. They were carefully selected to match the characters and the period. 

The hair and makeup were also well done. The design was carefully crafted to match each character's personality and style, and it was evident that much thought and effort had gone into each character's look. The hair and makeup were a great example of how even the most minor details can contribute to the overall success of a production.

The props as mentioned were very good, they were carefully chosen to match the scene and the period, and the attention to detail was evident. The props were used effectively throughout the production. 

Michael McKenny played the part of Arthur "The Fonz" Fonzarelli. Mr McKenny looked the part and brought great energy and charisma to the role. His chemistry with Michaela White, who played Pinky, was palpable, and they looked great together on stage. 

Mr. McKenny's performance was strong overall, with some lovely moments, such as “Heartbeat” with Fonzie and Chachi and Aaay’mless” with Pinky, and the Car Hops were top-class. Still, there were moments where his voice could have been more vital to convey the emotion of certain scenes a little better. “Dancing On The Moon” with Pinky was slightly weaker in tone and sound compared to the other numbers. “Guys Like Us” in contrast was sung beautifully and brought the house down! Mr McKenny looked the part, dressed the part, and delivered a solid performance, which was an integral part of the success of this gorgeous show. 

Michaela White played the part of Pinky Tuscadero. This performance was superb. I loved Ms White in this role, and she consistently showcased her fabulous vocal talent. This vocal was excellent. Her arrival on stage, singing “The Pinks In Town” with the Pinkettes, left me and the audience spellbound. Additionally, Ms White’s stage presence was commanding, as she moved with confidence and grace, demonstrating unwavering self-assurance on stage as she strutted her stuff with confidence and musicality. Throughout the production, Michaela's portrayal of Pinky Tuscadero was among the most vital parts of the show. Ms White's technical proficiency and creative instincts made for a fabulous performance that left a lasting impression. It was an absolute pleasure to witness Ms Whites’ talent, and I sincerely looked forward to each time this young lady arrived on stage to sing, dance, act, or strut! Great performance, Ms White, one that I thoroughly enjoyed. Every second. 

Ryan Kavanagh played Richie Cunningham's part. What a talented young gentleman with a fabulous stage presence and a gorgeous voice. Mr Kavanagh's performance in this role was super with his gorgeous stage presence, acting skills, and vocal range. I looked forward to each time he came on stage and was captivated. The vocals in “The Thing About The Girls” with Chachi, Potsie, and Ralph were superb, and “Romeo Midnight” with the Dialtones was a true highlight of the show. Overall, Mr. Kavanagh's portrayal of Richie Cunningham was a standout performance. This was a fabulous role for him. 

Teresa Buckley played the part of Marion Cunningham. Firstly, I have never heard Ms Buckley sing as well as she did in this production. A simply marvellous vocal with the trio between Pinky and herself and Joanie, “What I Dreamed Last Night” was most definitely one of the many highlights of this show where her vocal shone from on high; it was so strong, so heartfelt, and a gorgeous number to boot, it was a highlight vocally of the show without question. Ms Buckley brought this role to a level of authenticity and sincerity that was truly remarkable. Her interactions with the other characters were natural and believable, and she had a way of making the audience feel like they were a part of the story. Ms. Buckley's performance as Marion Cunningham was a delight. Her acting was also superb, with gorgeous costume, hair, and makeup, and Ms Buckley glided around the stage like a second home. Ms Buckley, I look forward to seeing you on stage again. Bravo. 

Keith Flanagan played Howard Cunningham / Elvis. Mr Flanagan was a standout performer, and his portrayal of the dual roles of Howard Cunningham and the Elvis scene was exceptional. His comedic timing was remarkable, and his jokes and antics had the audience in stitches throughout the show. His singing was equally impressive, and his powerful and dynamic voice was a true highlight of the production. His portrayal of Howard Cunningham was full of heart and sincerity, and he got a sense of authenticity to the engaging and moving role. And when he took on the role of Elvis, he truly brought the King back to life. “Leopards Are We” and “The Plaque” were fabulous. I loved you in these roles, Mr Flanagan. A memorable highlight was your magnificent portrayal of the King, Elvis. Fantastic performance. 

Emily Kelly played the part of Joanie Cunningham—Aww, a sweet character and a lovely role that greatly suited Ms. Kelly: gorgeous stage appearance and the most ladylike of manners and costumes. Ms Kelly was captivating and brought tremendous energy to the stage. From the moment she started singing, her vocals were excellent. With gorgeous costumes and an adorable character, it was a pleasure to be in the audience and watch Ms Kelly excel herself in this role. You brought the part of Joanie Cunningham to life, and I loved you for it. 

Joshua Higginbotham played the part of Charles “Chachi” Arcola. He was a delightful character, a cool dude, and one of the dream team with Richie, Potsie, and Ralph. This was a delicate part for this young gentleman, his first in Enniscorthy Musical Society, and boy, did you make a great team, great fun, fantastic energy, and excellent side looks and comedic timing, Mr Higginbotham; you were just perfectly cast in this role. 

John Donohoe played Ralph Malph. Again, it's a brilliant role. As a bunch of friends, chaps, you were just awesome. Mr. Donohoe, you are a fine actor with a gorgeous stage presence that ensures you command attention in your acting ability. It is so good, and this role was funny, acted well, had great comedic moments (consistently!), and had great costumes. Exceptionally well done on your part in this production, Mr. Donohue. And you looked great. Bravo.

Niall Martin superbly played the part of Warren “Potsie” Webber. Your timing in this show was simply class. And to quote your own words, you dazzled us with your moves!!! Super role, and I wish you many, many more successful productions in your life and the life of theatre, as you most certainly have the talent. 

Lorcan Dunne played the lovely part of Arnold. A sweet soul, gorgeous movement around the stage, no stranger to it, and a character that I warmed to immediately with your lovely dulcet tones, your pottering around the stage, your hat, your connection with the customers in the diner, your manner, and mostly – your wisdom shone and beamed down to us in the audience.

The Malachi’s! Where do I start!!! The Malachi’s - Murt Murphy played Myron “Count” Malachi. Pat Murphy played the part of Jumpy Malachi. Lads, I can sincerely say I have not laughed as much in a long time as I did every single second and time you both “launched” yourself on stage! You were indeed the perfect photobomb in each scene! You were simply class. It was so funny, with such fabulous timing, wit, and camaraderie, that I could go on! The stage was like a skating rink for you both, and you gracefully “skidded” around it with aplomb and drama, bringing tears of laughter to pour down my face every time you looked at each other (or anybody else!!) , or spoke or sang!! Simply jaw-achingly funny, and I loved you. Costumes were merely a scream. You really must have had a ball in this role. Your song The Malachi’s in Act 1 was so side-splittingly funny when you brought the house down when you finished. I immediately checked my program to see if there was a Reprise, and to my absolute delight, there was indeed a Reprise in Act 2!! You were both superb and a massive success, and I wish more of you were in this production. You played a blinder. A natural tonic. Bravo!!!! 

Richard Mullen played the part of Leopard Manny Moon / Bully. Mr Mullens's first appearance with Enniscorthy Musical Society, this role was superbly played. Again, excellent timing and interactions on stage with the other characters were always very entertaining. One-liners, great stage appearance, and costume all added up to a perfect role for you, well done! 

Frank Kehoe played Leopard Mac Gates. A larger-than-life personality, you played this part with gusto. However, I also loved your quieter moments in this show, and you again looked great in this role. You played a gorgeous role, had a great costume, and had a lovely stage presence. Well done. 

Hannah Roche played the part of Lori Beth Allen. Richie Cunningham’s' girlfriend was a lovely role played by Ms. Roche. There is no such thing as a minor role, and Ms. Roche's character was a key to the overall story in this delightful musical and played it very well with prettiness and a smile that lit up the stage. It is very well cast. 

James Dobbs played the little cameo of James Dean opposite Elvis. It was a great scene that reminded the audience of that era. Well done.

I mention the Dial- tones under their heading as they deserve one. Ryan Kavanagh, as Richie, John Donohoe as Ralph, Niall Martin as Potsie and Joshua Higginbotham as Chachi. This quartet was so in tune, so melodic, with such a gorgeous balance of harmonies that even now, they stand out in my mind. “Romeo Midnight” in Act 1 was simply stunning musically. What a gorgeous blend of beautiful voices and harmony, similar to a barbershop quartet. 

This Chorus showcased their incredible vocals as a group and the hours and hours they gave as a Chorus to bring this show to life paid huge dividends. This Chorus lifted the show to the highest sound, harmony, and balance levels. Each time they sang, they brought a genuinely infectious energy and enthusiasm to the stage. The sheer number of voices in the chorus was impressive, yet they were always in perfect synchronization, creating a beautiful and powerful sound that resonated throughout the audience. Highlights to mention but a few, as there were many, include “Welcome to Wisconsin,” a glimpse of what was to come with this Chorus, “Message in the Music,” and “Maybe It Time To Move On.” “Ordinary Hero,” and last but not least, in any way, the gorgeous Finale. Very well done to you all. 

Keep singing, keep performing, and keep being part of the incredible team that you are. To quote the words from YOUR song, “Run”. You are a fantastic team that has encapsulated resilience and positivity in bucketloads. The words “Run” encourage us to face challenges with courage, strength, hope, and joy. We may not be able to control every aspect of our lives, but we can choose how we respond to the obstacles we encounter. A huge congratulations to every one of the team on and off stage for a fabulous evening’s entertainment. Bravo !

CAROLINE DALY JONES 

ADJUDICATOR SULLIVAN 2023 / 2024

Photos by Peter Gaynor