Legally Blonde as presented by Baldoyle Musical Society

BALDOYLE MUSICAL SOCIETY 

LEGALLY BLONDE

ST MARYS SECONDARY SCHOOL BALDOYLE

16TH – 20TH APRIL 2024

Adjudication Performance 17th April 2024

This Society has been staging musicals since 1973. The Hall was so full and noisy and excited, the atmosphere was palpable. I had a lovely seat, and the team I met on the way in was so effusive in their welcome that I was humbled. I got that “Family” feeling, and it was lovely to meet the Cast. The Front of House team was perfect, and I must mention Moira Nolan, who looked after me like I was part of her family and were outstanding, providing excellent service and assistance to every single member of this audience. The team's efficiency and attention to detail were impressive, and they ensured that the evening ran smoothly and seamlessly. Well done to all involved!

The Director was Ms Yvette Cuffe. Firstly, Ms Cuffe’s interpretation of the narrative of 'Legally Blonde' was a refreshing blend of light-heartedness and empowering themes. Her direction maintained a brisk pace, keeping the audience engaged throughout. She successfully brought to life the magical and joyous spirit of Elle Woods, a feat that was greatly appreciated by the audience. Her creative vision was a crucial factor in the success of this production. 

The Musical Director, Mr Gay Kirwan, led a fabulous orchestra. From the very first moment when he lifted his baton as Musical Director and Conductor, Mr. Kirwan's exceptional ability to seamlessly meld the musical elements with the direction and choreography was commendable. The vocal arrangements, in particular, enhanced the emotional resonance of the songs and showcased the cast's vocal agility. I was genuinely impressed by his beautiful talent throughout. “Blood in The Water”, “Harvard Variations,” “Chip on my Shoulder,” and I cannot mention THE highlight of Act 2, “Gay Or European,” brought the house down Mr Kirwan's musical direction was integral to the show's success, and he played a significant role in bringing the story to life. 

Choreographer Sinead McCrohan's guidance was instrumental in making the choreography a standout aspect of the production. Her dynamic routines were visually stunning and mirrored the vibrant personality of Elle Woods. The cast's energy and precision in executing these routines were a testament to McCrohan's clear vision and the countless hours of rehearsals. The 'Bend and Snap' sequence was a flawlessly orchestrated and humorous highlight. The movement in this production was so slick and loaded with energy, vibrancy, and tremendous confidence in all the choreography. It was just so joyful. Being just in the audience was a joy because the vibe and energy leaped from the stage, making us feel exhilarated and entertained. 

The sets, for the most part, were a success, mainly due to the exceptional contributions of the entire technical team. There were one or two slow set changes, and they distracted a little from the continuation of the story; however, these few scenes, compared to the overall production, were minimal in intrusion. On the evening I attended, there was a problem with the projections in Act 1, which was a little distracting. The attention to detail was evident in every aspect of the Set Design, and the team's hard work was awe-inspiring. The sets were constructed and painted to a very high standard and perfectly complemented the story. The brick wall effect was a real eyecatcher, and the Dewys trailer park caravan was very apt and effective to name but one of many scenes that were very well thought out and designed practically and visually pleasing to the eye. 

The sound design was outstanding, with a perfect balance between music and vocals and excellent use of sound effects, enhancing the audience's experience significantly. The team responsible for the technical presentation should be commended for their exceptional work. The sound design was one of the production's highlights, perfectly balancing music and vocals. The clarity of the sound on the evening of the adjudication was impressive, and there was never a moment where the dialogue was lost or unclear. 

The lighting design was also particularly worthy of specific mention because the imaginative and creative use of colour and lighting cues helped to create an immersive experience for the audience. I loved the excellent use of spotlights in the mirages of greens and blues and the vibrant lighter colours in scenes such as Harvard and Paulette’s Salon. 

The team responsible for costumes should be commended for their exceptional work. The vibrant and visually stunning costumes perfectly complemented the story and the characters' personalities. The attention to the small details, such as the Delta Nu sorority outfits, was particularly noteworthy. 

The makeup and hair were also executed really well, enhancing the characters' features and adding depth to their personalities. The hairstyles were particularly effective in creating a polished and professional look. 

The props, such as the law books and the courtroom gavels, were also expertly crafted. Overall, the costumes, makeup, hair, and props were a standout aspect of this production, and the team responsible for them should be proud of their contribution to this beautiful show.

Karen McCourt played the part of Elle Woods exceptionally well. Her energetic and bubbly personality captured the essence of the character, and her comedic timing was impeccable. Her vocals were strong, and she brought a lot of emotion to her musical numbers. Her performance of "So Much Better" was awe-inspiring, and she displayed a lot of range in her acting skills. Overall, her performance was vibrant, engaging, and thoroughly enjoyable.

Daire Kelly played Emmett Forrest and gave a standout performance. He had a fabulous stage presence, and I liked this gentleman's take on this character and made it his own. His chemistry with Elle was palpable, and their scenes together were some of the best in the show. Mr Kelly delivered his lines with conviction and had a natural charm that made him likable. His vocals were also strong, and his rendition of 'Chip on My Shoulder' was a production highlight. Overall, his portrayal of Emmett Forrest was excellent and added a lot to the show. 

David McGrath played the part of Warner Huntington 111 and did an excellent job in his role. He perfectly captured the character's entitled and privileged personality while showing his vulnerability and insecurities. He had a good stage presence and delivered his lines with confidence. His singing was also impressive, and his " Serious " performance was noteworthy. Overall, his portrayal of Warner was well-executed and added much to the show. I liked Mr McGrath in this role. Well done. 

Nicola Smith played the part of Vivienne Kensington. Ms Smith gave a solid performance. She portrayed the character's arrogant and competitive personality exceptionally well and had good chemistry with the other actors. Her vocals were impressive, and her rendition of "Legally Blonde Remix" was a highlight of the production. A lovely role for you, Ms Smith, and very well played. 

Sinead McMullen played the part of Brooke Wyndham. A standout performance. Ms Wyndham had a fabulous stage presence and brought a lot of energy to her scenes. Her singing and dancing were impressive, and her "Whipped into Shape" rendition was a production highlight. She also had excellent comedic timing and brought a lot of humour to the role. Her portrayal of Brooke Wyndham was superb and added much to the show.

Nathan Durkin played Kyle and gave an excellent performance. He was energetic and brought a lot of dry humour and fun to the role. His singing and dancing were impressive, and he had great chemistry with the other characters. His performance of "There! Right There!" was particularly noteworthy, and he had the audience laughing throughout the show. Overall, his portrayal of Kyle was excellent, and I loved this role, as did your audience. Superbly played. 

Peter Fitzsimons played the part of Professor Callahan and gave a compelling and rock-solid performance. Mr Fitzsimons portrayed the character's manipulative and selfish personality well and had good chemistry with the other actors. His singing was impressive, and his "Blood in the Water" performance highlighted the production. Overall, his portrayal of Professor Callaghan was intense, a change from the norm of the rest of the cast in his formality, but was highly believable and suited this part well. I was very impressed with your performance throughout Mr Fitzsimons. 

Kathryn Gibbons played Paulette Bonafonte's part. This young lady was a standout character in this production. The authentic performance drew us into her journey, salon, AND love life!! Ms. Gibbons’ portrayal of Paulette was genuinely heartwarming, and I know the audience felt a strong connection to her through their / our reactions and explosive applause after the song “Ireland.” The character's evolution throughout the show was handled beautifully. I was very impressed by Ms Gibbons’ ability to convey the character's intricate, buzz, and gorgeous personality. 

The trio of Serena, played by Erin Russ, Pilar played by Katie Burrows, and Margot, played by Ellen Ahern, were a delight to watch and a hugely positive addition to this production. Their marvellous performances were full of energy, and their chemistry as a group was exceptional. The three actresses brought a unique flavour and a colourful edge to the production, and their performances added a lot of humour and joy to the show. The "Omigod You Guys" sequence was a highlight, and they executed the choreography effortlessly. These three characters were simply superb. Consistently and with absolute joy to watch on stage. Congratulations. 

The part of Sinclair was played by Jack Winkless, a scene stealer in every scene he appeared in! The portrayal of Sinclair was both comical and endearing, and Mr Winkless nailed the character's mannerisms and quirks. The energy and enthusiasm brought to the performance were infectious, and I certainly enjoyed every moment Sinclair was on stage.

Beau Carley played Aaron Schultz, another standout character in this production. Mr Carley was full of charm and charisma, had a striking and effective stage presence, and was at ease on stage; this was a lovely character, played so very well, and an excellent performance. 

Megan McInerney played Enid Hoopes. What a dynamic character who added so much dry humour to the production. Full of energy, sass, and a little eccentricity, she brought a lot of personality to the character. I was so very impressed by the actress's comedic timing and delivery.

Overall, the performances of Paulette Bonafonte, Serena, Pilar, Margot, Sinclair, Aaron Schultz, and Enid Hoopes were all very good. Each actor/actress brought a unique style and energy to their performance, contributing to the production's overall success. Their performances were authentic, engaging, and entertaining, and I enjoyed every single second you were on stage. I looked forward to you appearing each time, awaiting the continuation of the treat you gave your audience throughout ALL your performances. Bravo!. 

The Chorus Master was Mr Gay Kirwan. Who already made a considerable contribution to the success of this production. The chorus was a standout aspect of the production. Their energy and enthusiasm were palpable, and their vocal harmonies were flawless. Another notable moment was during the song "Whipped into Shape," where the chorus portrayed the fitness class attendees with great energy and enthusiasm. Their vocals added a robust layer to the song, making it one of the production's most memorable musical numbers. 

This particular production of “Legally Blonde” really did work, and it was simply a pleasure to be part of what a lovely production I witnessed on the evening of the 17th of April 2024. It was an absolute pleasure and congratulations. I wish you well and continued success because every one of you deserves nothing less. Thank you. 

Caroline Daly Jones

Adjudicator Sullivan 2023 / 2024

Photos by Roisin McCardle.