Sweeney Todd as presented by Mitchelstown Musical Society

SWEENEY TODD MITCHELSTOWN CORK.

20th - 23rd March, Mitchelstown Leisure Centre

Adjudication Performance 20th March.

The evenings were beginning to get brighter when I arrived in Mitchelstown Co Cork on the evening of 20th March 2024. This is this Company's 17th Production, and I was greeted warmly by the Front of House Team. The Front of House team plays a crucial role in setting the tone for any theatrical production, and in this production, the Front of House team was exceptional. The entrance to the venue was decorated beautifully, setting the mood for the show from the moment the audience arrived. The attention to detail and creativity was evident in every aspect of the decor, from the lighting to the signage, creating a lovely introduction and personalizing it for the audience as a glimpse of what was coming on stage. But it was the Front of House team's attire that indeed left a lasting impression. The pretty black ballgowns, headdresses, and dress suits were stunning, adding a touch of elegance and sophistication to the productions before the Production. The sense of pride and excitement was palpable. I became part of that excitement when I turned the corner into the auditorium and was met by an utter vision of a stunning set and a transformed hall, now Fleet Street. I had one word. Magical.

The director of this production was Michael Anthony Greene. From the opening note of the show, it was evident that Mr. Greene was a highly skilled and talented Director who brought together an entire team and consistently produced an exquisite show that was nothing short of glowing. The tiered levels were three sets built on top of one another. Mrs Lovett's shop and home on the stage level, like a choir balcony was Sweeney's Barbershop, and above that again was the glorious Orchestra. It is tough to describe this vision, but it was unique, functional, and unforgettable. This production was thought out so beautifully and cleverly that my eyes constantly darted around the stage, anticipating the next layer of Mr Greene's direction. The characters, all bar none, were simply a joy to watch. Mr. Greene also draped the full centre in black drapes surrounding the entire hall and all over the wooden set levels. It was the sense of being transported to Sweeney Todd’s lair that one didn’t feel as if there was an audience at all. Through this beautiful direction, the chemistry between the performers was evident, creating a gorgeous camaraderie that bounced off the stage. Mr Greene brought out the very best in each performer. His dedication, talent and leadership abilities resulted in a captivating and memorable show. I can honestly say this memory will stay in my mind for a long time. Bravo.

The choreographer was also Mr Greene. Two massive production responsibilities for one person, in my own opinion, rarely work. It's a huge undertaking. But here, with Mr Greene's dual role, the combination of both and the success of it was simply exceptional. The precision and timing of every movement were exhilarating and impeccable, and the dance numbers were perfectly choreographed to complement the music, adding a dynamic and visually stunning element to the show. The dance sequences are a visual feast that highlights the talent and hard work of the cast and creative team. “City on Fire” in its glorious red lighting was excellent, and the memorable “Demon Barber of Fleet Street,” two examples of the beautiful choreography of this show combined with Mr Greene’s direction, was simply a vision of surreal proportions.

Mr Robbie Pender was the Musical Director. Another critical element in this shows success. Placed high above the stage on the top layer of the set was the most wonderful Orchestra, creating a rare and beautiful sound that again enhanced the audience's unforgettable experience. The flawless singing by the cast, guided by Mr Pender and his orchestra's rich and full sound, created a perfect blend of haunting melodies and upbeat numbers that kept the audience engaged and entertained throughout the show. “The Ballad of Sweeney Todd '', “Kiss Me”, “Not While I Around,” and the gorgeous “Johanna” brought a tear to my eye. Such was the beauty created by this Musical Director, his Orchestra, and his astounding production team. Stunning.

The Stage Manager was Mr James Sherlock—another vital link in an unbreakable chain of this talented production team. From the show's start, the attention to detail in the Sets was evident, with every aspect of the production designed to create a sense of realism and authenticity. The entrance to the performance and hundreds of yards of black cloth draped every inch of the auditorium, right to the back of the orchestra, who were three levels up on the stage on the 3rd mezzanine level. Mr Sherlock's ability to coordinate and manage the different aspects of the production as Stage Manager was remarkable. The attention to detail in the Sets was impressive: the chaise longue, the mincing machine, and the intricate detail of Sweeney’s lair, to name but a few, transporting the audience into the world of the show and creating an immersive experience that is both thrilling and unforgettable. A great success.

From the start of the show, the attention to detail in the lighting was evident, with every aspect of the production designed to create a sense of foreboding, darkness, gruesomeness, and authenticity. The magnificent opening drowned in red was gorgeous and set the scene for what would follow. Different lighting techniques, such as spotlights, washes, and gobos, created a sense of dimension and depth to the show, adding to the production's overall impact. Here, tonight, the lighting was nothing short of fabulous, creating a stunning world that was truly gorgeous.

Sound was balanced and very strong. The musical numbers “No Place Like London,” “Ah Miss,” and “Pirellis Miracle Elixir” were just a few of the musical numbers in this show that were elevated to new heights because of the brilliant sound. The orchestra's sound and the cast's beautiful singing were enchanting, and every second was very well-miked. The sound design also helped create an immersive experience for the audience, as the sound effects and music perfectly synchronized with the visuals on stage.

The costumes were also exceptional, with each character's attire perfectly reflecting their social status and personality. Sweeney Todd's dark and brooding attire, including his signature black coat and hat, perfectly captured his character's intense and mysterious nature. Mrs. Lovett's colourful and vivid costumes reflected her playful and charming side, giving one such example - Judge Turpin's regal costume evoked a sense of power and authority along with the stunning and surreal costume of Pirelli. Wow. The makeup was equally impressive, with the characters' appearance perfectly capturing the essence of their personalities and motivations. Sweeney Todd's brooding and intense demeanour was reflected in his dark eye makeup and pale complexion. At the same time, Mrs. Lovett's playful and flirtatious nature was evident in her bright lipstick and rosy cheeks. The makeup for the supporting characters was also meticulously executed, with each character's appearance adding depth and nuance to their performances.

Costumes, Makeup, and Hair in this production, and the people responsible for these aspects of the show, did an exceptional job creating a visually stunning production that enhanced the cast's performances tenfold.

Paul Finn played the part of Sweeney Todd. It was a superb and stunning performance. Mr. Finn’s brooding presence, commanding voice, and intense emotions left me mesmerized by the strength of this character's acting and beautiful, lyrical, solid vocals from the beginning. Songs such as “The Barber and His Wife” displayed a lovely tone, and your voice was gorgeous. “My Friends” with Mrs. Lovett, and “ Pirelli’s Miracle Elixir” to the fabulous “Pretty Women” in Act 2. In this role, you require super acting and vocal ability. And Mr Finn delivered both with a voice like velvet in tone, technique, warmth, and depth. Mr Finn’s commanding presence and intense emotions were palpable throughout. His portrayal of Sweeney Todd was captivating and haunting, with a brooding intensity that drew me and the audience in and kept us attentive and invested in the character of Sweeney's journey throughout the show. Mr Finn’s rendition of "Epiphany" was simply fantastic, with his voice reaching its full potential and conveying the character's inner turmoil and rage in a chilling and exhilarating way.

Aoife O’Neill played the part of Mrs Lovett. Beautifully played with wit, charm, and dark, dry humour, the perfect complement to Sweeney Todd's character, creating an intriguing, delightful chemistry. You had lovely wit, charm, and darkness. And you delivered a performance as Mrs. Lovett that was excellent. “Wait” and “Epiphany” were vocal highlights, and from the moment you appeared on stage, your playful and flirtatious nature was evident, giving the audience an immediate sense of her character. The duet with Sweeney Todd, "A Little Priest," is another highlight of the show, with both performers perfectly complementing each other's vocals. Overall, Ms O’Neill's performance as Mrs. Lovett was a tour-de-force, showcasing an actress's lovely talent and skill.

Adam Byrne played the part of Anthony. Mr Byrne delivered a performance as Anthony that was friendly, excellent, and a joy to watch. When he arrived on stage, Mr Byrne’s charming and likable nature was evident. His interactions with Johanna were particularly touching, with his passion and love for her shining through in every scene. His vocal abilities was also impressive, with his rendition of "Johanna" being a standout performance that showcased his range and ability vocally sung with lovely emotion: gorgeous voice and a charming stage presence.

Johanna was, played by Hedwig Hauskeller. Ms Hauskeller delivered a gorgeous performance as Johanna. Her delicate and ethereal presence is evident when she appeared on stage. Her vocal abilities were also impressive, with her rendition of "Green Finch and Linnet Bird" being a charming performance with a stunning range and tone. The onstage chemistry with the other performers was also super. This performance by Ms Hauskeller, as Johanna, showed a gifted young lady who was a joy to watch and listen to. Bravo!

Declan Herlihy played the part of Judge Turpin. From the moment Mr Herlihy appeared on stage, his commanding presence and sinister demeanour were palpable. His portrayal of Judge Turpin was very good and quite complex, and his vocal abilities were impressive. His interactions with other characters were subtle and pleasing. Always revealing something about the character and their past it was a lovely, strong performance showcasing your talent and acting skills.

Jack Fitzgerald played the part of Pirelli. What a gorgeous vision, fabulous makeup and a fantastic surprise to see you arrive on stage with all your flamboyancy and charisma. Pirelli actors must have exceptional vocal skill and nuance. You commanded an audience, and you were a leader on stage. Visually astounding, Mr Fitzgerald delivered a fabulous performance and a magnificent vocal and visual that left me in awe. Your portrayal of Pirelli was comical and larger-than-life, with every movement and gesture ideally suited to the character's personality and motivations. A drama Queen played magnificently.

Mr. Fitzgerald’s' vocal abilities were so impressive, with his singing voice conveying the character's striking and playful nature in an entertaining and captivating way. His rendition of "The Contest" was a standout performance, showcasing his vocal range and ability to bring depth and humour to the character's songs.

Tobias, Ragg, was played by Gaspar Napora. Mr. Napora is a lovable young man who adds an innocent charm to the show—a lovely stage presence and very good acting here in this role, Mr. Napora. You shone like a star. Well done.

Kenneth Speight played Beadle Bamford, delivering a memorable and entertaining performance. The character was comical and over-the-top, with impressive comic timing and vocal abilities evident. There is no such thing as a small role, Mr. Speight. You left a lasting impression. Well done.

Jennifer O’Donovan played the role of The Beggar Woman. She gave such a haunting and emotional performance, with a lovely vocal ability, good interactions with her fellow cast members, and a stunning stage presence. This was an imposing role, Ms. O’Donovan, and you made it your own. You are a beautiful actress.

Jamie Howard played Jonas Fogg's part. A lovable and innocent character played with a charm rendition of "Not While I'm Around" was a lovely performance. Your interactions with Sweeney Todd and Mrs. Lovett were well played out, with each interaction revealing something new each time. You have beautiful talent and skill and played this part well.

The Chorus was nothing short of fabulous, creating a stunning and memorable sound throughout that most definitely added to the production's overall success. The use of harmonies, dynamics, and phrasing was impressive. A cohesive and powerful sound that was captivating and memorable. The Chorus was another show highlight, showing off their vocal abilities and very well-rehearsed. The harmonies in "The Ballad of Sweeney Todd" were also a highlight of the show, creating a haunting and beautiful sound that added to the production's overall impressive sound.

I thank you all for the evening, which was a treat and a sea of talent that is rare to have in one place. Congratulations. And Bravo to each one of you. You have something special here. Never lose it.

Caroline Daly Jones

Adjudicator Sullivan 2023 / 2024 

Photographer: Sean Burke