The Little Mermaid as presented by Striking Productions

Striking Productions 

The Little Mermaid

3rd to 5th May Rathwood Big Top. 

Adjudication Performance 5th May. 

As I concluded my journey as Aims Adjudicator, my destination was the Big Top in Rathwood. This was not just any performance, but a truly unique and captivating experience set amidst the enchanting trees of Rathwood. The front-of-house management was quite good, especially considering the challenges of a new and busy venue. Despite the increased demands and unfamiliar surroundings, the front-of-house team handled the situation with remarkable skill and professionalism. And a smile! Their ability to navigate the complexities of a new venue while ensuring a smooth and enjoyable experience for the audience was commendable. Their dedication and adaptability were evident, and their efforts significantly contributed to the production's overall success. Well done to the front-of-house team for their outstanding performance in facing such challenges.

The Director was Robert Ó’Néill. Mr Ó’Néill demonstrated a deep understanding of this story's fun element and the out-of-world experience by effectively and beautifully bringing the magical underwater world to life on stage. The production's pacing was well-executed and given that this production was in a Big Top Tent, it made Mr Ó’Néílls job quirky, if not slightly different. Mr Ó’Néílls vision was evident in every scene. The attention to detail and the seamless integration from a Musical performed on a Stage to a Musical performed in a Big Top tent was exemplary, different, and simply superb. These characters had the most beautiful, shining personalities and costumes, and the love story unfolded before my eyes. I was stunned by how successful this production was given the venue. Mr Ó’Néílls direction shone here in what could only have been trying circumstances, and yet it was beautiful and a vision with each character superb in their roles. I applaud Mr Ó’Néill as director here. It must have been challenging, but seeing this venture's success is rewarding. Charming direction here, Mr Ó’Néill. 

The Musical Director was Joan Butler. Ms Butler's expertise was apparent in the flawless execution of the iconic songs and the overall musical performance of the Orchestra. Tucked away neatly to the left of the stage and given the acoustics and the venue, the sound produced was gorgeous and nothing short of a miracle. The cast's vocal abilities shone with the orchestral accompaniment here and were expertly showcased, and Ms Butler's guidance undoubtedly contributed to the production's overall success. The brave option of using live music rather than backing tracks was a daring and correct move, adding depth and emotion to the storytelling. The musical director's passion for the score was palpable throughout the performance. A charming Musical Director with buckets of talent, Ms Butler, it was a joy to sit and listen to the gorgeous sound throughout this production with you and your Orchestra at the helm. 

The Choreographer, Tracy Rea, demonstrated superb creativity and skill in the dynamic and captivating dance numbers. Her ability to adapt to the unconventional venue, with its various entry and exit points, was admirable. The dance styles added excitement and energy to the show, and her attention to detail was commendable. The children were enraptured by the flawlessly performed colours and movements. The seamless blending of movement and storytelling was a testament to Ms. Rea’s talent, which shone brightly in every dance sequence.

The Stage Manager was Sandra Maye. The set design for "The Little Mermaid" in the Big Top tent was extraordinary. Despite the unconventional venue, the set was a visual spectacle that seamlessly transported the audience into the enchanting underwater world. The stunning projections were magnificent and extremely practical, adding depth and detail to the stage that would have been challenging to achieve with traditional set pieces. The creative integration of projections with the physical set was appropriate and innovative, enhancing the overall visual presentation and storytelling. The set design team's ability to adapt to the Big Top tent's unique demands while maintaining the production's magical atmosphere was truly commendable. Their work was a testament to their creativity, resourcefulness, and dedication to creating a memorable and immersive theatrical experience.

The sound design in this production was a remarkable feat, especially considering the unconventional venue. The sound team expertly balanced the audio to ensure that every note and spoken word filled the space without overwhelming the audience. Despite the tent's acoustics challenges, the sound was clear, immersive, and perfectly complemented the actors' performances. From the powerful musical numbers to the subtle sound effects, the sound design enhanced the overall experience and transported the audience into the magical world of "The Little Mermaid."

The lighting design in the Big Top tent was nothing short of breathtaking. The lighting team skilfully utilised the unique space to create mesmerising visual effects that heightened the emotional impact of each scene. With limited traditional rigging options, they creatively employed innovative lighting techniques to illuminate the stage and set the mood for the underwater adventure. The interplay of light and shadow added depth and dimension to the production, showcasing the talent and resourcefulness of the lighting crew.

The costumes in this production were a true spectacle to behold in this unique setting. From the shimmering scales of the merfolk to the intricate detailing of the human characters' attire, every costume was a work of art. The vibrant colours and exquisite fabrics transported the audience to an underwater realm, and the attention to character-specific details was evident in each ensemble. The costumes not only enhanced the visual appeal of the production but also served as a testament to the creativity and craftsmanship of the costume team.

The hair and makeup design in "The Little Mermaid" was a testament to the team's artistic talent. The imaginative and skilful makeup application brought the characters to life, with each actor's transformation adding realism and authenticity to their portrayal. The elaborate hairstyles and makeup designs complemented the costumes while enhancing the story, making it far more believable and natural, such as the intricacy and attention to detail. 

In the unconventional setting of a Big Top tent, the props team demonstrated remarkable ingenuity and precision. The props seamlessly integrated with the vibrant set design, enriching the storytelling, and bringing the enchanted world of "The Little Mermaid" to life. 

Emma Sunderland played the part of Ariel. What a glorious role and a beautiful lyrical voice this young lady has. Ms Sunderland’s' portrayal of Ariel was enchanting. She brought a perfect blend of innocence, curiosity, and determination to the character, capturing the audience's hearts with her beautiful voice and graceful movements. Her portrayal truly embodied the spirit of the adventurous and free-spirited mermaid. I loved you in this role, Ms Sunderland, and it was a stunning performance. I hope your journey on the stage in musical theatre will stay with you for a long time. Bravo. 

Joshua Nolan played Prince Eric. Mr Nolan's portrayal of Prince Eric was charismatic and heartfelt. His princely demeanour and genuine emotions resonated clearly with me, creating a solid connection to the character. His chemistry with Ariel was palpable, and his performance brought a sense of romanticism and bravery to the role. His lovely, stunning vocals enhanced this role and your superb overall performance. 

Kayla Kehoe played Ursula. Her portrayal was nothing short of magnificent. She exuded power, cunning, and theatrical flair, embodying the essence of a formidable villain. Her commanding presence and wicked charm added depth to the character, making every scene she graced with her presence utterly captivating and thrilling. Your magnificent role and superb vocal performance left me in awe of what you made of this character. And you looked amazing. 

Kevin Reade played King Triton. No stranger to the stage, Mr Reade’s portrayal of King Triton was regal and profoundly moving. He brought a commanding presence and paternal warmth to the role, portraying the inner conflict and love for his daughter with great emotional depth. His performance radiated authority and tenderness, and this role was beautifully played—the perfect part for a fantastic actor. I wish you many more years of stage success, Mr Reade. It was a joy. 

Brian Roche played Sebastian. What an absolutely delightful and joyful role this young man made of this character. Mr Roche’s exuberance and comedic timing breathed life into the character, infusing every scene with infectious energy and a simply lovely charm. His performance on stage was a true highlight. 

Siobhán Kavanagh played Scuttle. This young lady's performance and interpretation of this lovely part were scene-stealing. Ms Kavanagh created eccentricity and comedic timing for the character and delivered a memorable and entertaining portrayal. 

Holly Harmon played the part of Flounder. Ms Harmon acted this role in a way that was endearing and heartfelt. She embodied the innocence and loyalty of the character, creating a genuine connection with the audience. Showcasing a wide range of emotions, from youthful exuberance to moments of vulnerability, demonstrating versatility and depth in the performance. The actor's chemistry with other characters, particularly Ariel, makes Flounder a beloved and relatable character that I loved throughout. 

Paddy Behan played the part of Grimsby. Mr Behan’s depiction of Grimsby was a refined and polished performance. Excluding authority and sophistication, capturing the essence of the character with poise, Mr Behan’s stage presence commanded attention, and his mannerisms and demeanour were beautiful. The actor's interactions with other characters, particularly Prince Eric, were so lovely and endearing, and I warmed to this gentleman in this role from the word go. 

Audrey Cooper played the part of Flotsam. Both captivating and menacing, this lovely actor embraced the criminal nature of the character, exuding a sense of hostility and intrigue. Her physicality and vocal delivery conveyed a sense of foreboding, adding tension and drama to the production. The actor's ability to embody Flotsam's sinister presence contributed to the story's overall atmosphere, creating a compelling antagonist that was superb. 

Tricia Millar played the part of Jetsam. A character with sinister elegance exuded a menacing charm that perfectly complemented Ursula’s villainy. The actress’s command of the stage and compelling portrayal of the character’s devious nature made her captivating and formidable.

Aquata, played by Shauna Ray Lacey, Adrina played by Emma McNally, Atina played by Rachel Corcoran, Alanna played by Katie O’Shea, Adella played by Katie Phelan, and Arista, played by Grace Guerin; King Triton's daughters, were exceptional. These young ladies had magnificent voices and stunning appearances with fabulous costumes. 

Chef Louis was played by Julien Jully. A funny, dramatic, and flamboyant characterisation which made us laugh. Well done 

You all played a vital role in the success of this production throughout, and each of you played your parts beautifully. You were all like a pretty picture on stage that one could frame! 

The Chorus Mistress was Joan Butler. The chorus was captivating, and their sound and presence on stage were enchanting. Their harmonious voices resonated throughout the venue, creating a truly gorgeous treat for the audience at every turn. This Chorus demonstrated wonderful talent and dedication, with their gorgeous voices seamlessly blending into each scene and contributing to the storytelling beautifully. This Chorus left a lasting impression on me. So, very well done. Stunning sound and vocals and gorgeous harmonies. 

This production of “The Little Mermaid” was a triumph for this lovely Society. Massive creativity and resourcefulness delivered an unforgettable experience for your audience, including adults and children, on the day I attended. It’s a beautiful and striking venue and, in my opinion, a true success as this was your first venture in this phenomenal location, and I applaud you all. Bravo, and thank you for making my afternoon an absolute treat for the senses, the eyes, and the heart! Congratulations, and thank you for your outstanding warm welcome. 

CAROLINE DALY JONES

ADJUDICATOR SULLIVAN 2023 / 2024

Photos by Darragh Carroll